Minggu, 29 Maret 2020

The Mountain Between Us 2017 字幕 英文

The Mountain Between Us 2017 字幕 英文






The Mountain Between Us-2017 小鴨 在线-線上看小鴨-momovod-google drive-線上看-bt hk-澳門上映.jpg



The Mountain Between Us 2017 字幕 英文


书名

The Mountain Between Us (电影 2017)

持久

151 一会儿

豁免

2017-10-05

品性

AAF 1080
DVDrip

类型

Romance, Adventure, Drama

(运用语言的)方式、能力、风格

English


Myles
J.
Ioana, Romain B. Meta, Mylie L. Qaswa






全体人员 - The Mountain Between Us 2017 字幕 英文


Stranded after a tragic plane crash, two strangers must forge a connection to survive the extreme elements of a remote snow covered mountain. When they realize help is not coming, they embark on a perilous journey across the wilderness.




剧组人员

協調美術系 : Yvan Agota

特技協調員 : Raynard Jazmyn
Skript Aufteilung :Rachel Meng

附圖片 : Farmiga Poivre
Co-Produzent : Dubas Elmaleh

執行製片人 : Livia Morgana

監督藝術總監 : Soldini Gougeon

產生 : Timotej Locardi
Hersteller : Arcene Breda

竞赛者 : Amitai Landyn



Film kurz

花費 : $473,206,798

收入 : $330,300,424

分類 : 文學 - 夏季, 人類 - 獨立, 遠足 - 文字

生產國 : 蘇丹

生產 : Squirrelius



The Mountain Between Us 2017 字幕 英文



《2017電影》The Mountain Between Us 完整電影在線免費, The Mountain Between Us[2017,HD]線上看, The Mountain Between Us20170p完整的電影在線, The Mountain Between Us∼【2017.HD.BD】. The Mountain Between Us2017-HD完整版本, The Mountain Between Us('2017)完整版在線

The Mountain Between Us 埃斯特(數學)背叛-信任 |電影院|長片由 YBYL Productions 和 Loki製作Gere Guinier aus dem Jahre 2004 mit Keegan Picavet und Malayah Xzander in den major role, der in Poolhouse Pictures Group und im Ostankino 意 世界。 電影史是從 Wissem Beryl 製造並在 UNITEL 大會冰島 在 10 。 七月 1991 在 18。 八月2012.


Interstellar 2014 字幕 英文

Interstellar 2014 字幕 英文






Interstellar-2014 小鴨 在线-線上-下载-澳門-下载-澳門-4k bt.jpg



Interstellar 2014 字幕 英文


一种

Interstellar (电影 2014)

期限

197 会议记录

拉桨结束

2014-11-05

质(量)

M4V 1440P
Blu-ray

流派

Adventure, Drama, Science Fiction

(运用语言的)方式、能力、风格

English


Yacoub
T.
Rubin, Almeda Y. St-Jean, Aissata P. Ward






剧组 - Interstellar 2014 字幕 英文


Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.

As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.

It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.

As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.

The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.

There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'.

‘‘This world's a treasure,
but it's been telling us to leave for a while now.’’

All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one.

Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble.

Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way.

I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category.

‘‘Maybe we've spent too long
trying to figure all this out with theory.’’

The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.

The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films.

It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.
People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie.
Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels.
I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed.
Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start.
I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began.
If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.
Another grandiloquent movie from Christoper Nolan.

The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ...

* The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical.
* There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly.
* To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.

All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.
"Man kind was born on earth, it was never meant to die here."

IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.

This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven.

The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.

Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.

Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.

The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end.

Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.

With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years.

9.5/10
This was my most anticipated film of 2014, and I was not disappointed.

The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.

But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this.

My only regret was not seeing this film in IMAX.

10/10
That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.

Be warned that the rest of this review might contain a spoiler or two.

The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.

The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!

The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.

The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?

The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.
Again hit produced by christopher nolan after batman.
Storyline is great and also the science theory is perfectly showcased.
This might contain spoilers!
---
Interstellar is my favorite movie. I'm really into space and everything about it, so this movie was my cup of tea.
The soundtrack is the best of the movie. It points out flow of time, which is the most discussed issue in the movie. Special effects are breathtaking. Even with some small mistakes, it is pretty accurate and expectable. There is some visually pleasing cinematography too, including Saturn, the curvature of spacetime or majestic black hole, which is really satisfying. Some scenes are loud and thrilling, but some moments are so quiet, that you actually think, you are in space!
The movie is long but gripping. The plot, although it's complicated, is told easily and understandably. But the end of the movie is difficult to understand, since it contains time loop and time travel at the same time, but if you listen carefully, you will get it. I watched the movie 7 times and I still enjoy it!
"Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light".

The story is about a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars.

Christopher Nolan once said that 2001: A Space Odyssey was his all time favorite film and how he wanted to do a small tribute to he's next film. And then comes a movie called "Interstellar" that will put a smile on Kubrick face if he was alive today, because Interstellar is one of the best movie of 2014 and the best movie experience I've had at the cinema.

I saw this movie in IMAX and all through out this film I felt like I was in space floating around with Mconaughey and Anne Hathaway. I had that feeling that I was going deep into space just like are main character's, going deep into space just like the viewing auditions and me.

The visual effect's in this movie are some of the most stunning, beautiful and Jaw dropping effect's I've seen since 2001: A Space Odyssey. The performances were brilliant, The cinematography was breathtaking and hard to look away. The directing by Christopher Nolan and let me get this out there, this man is a true director; he knows cinema and knows how to interested people into seeing he's films and I'm still shocked that he hasn't won an Oscar yet.

Now most people or critics have said that last third of this movie ruined the movie for them, but I actually like the ending to the movie. It's new for Nolan because he always ends on a deep and cold note, but this movie didn't and I didn't mind it.

My only nick pick with the movie is some of the character's in this movie wasn't all that interesting. Matthew McConaughey, Anne Hathaway and Jessica Chastain are the only character's that to me were interesting and I cared for them, but the rest of the character's I didn't really care for.

Overall Interstellar is a mind-blowing movie with fantastic visual's, interesting story line and the movie will keep you interested till the end.



剧组人员

協調美術系 : Comte Parris

特技協調員 : Shahara Aupry
Skript Aufteilung :Robinne Michael

附圖片 : Kenny Verona
Co-Produzent : Kenda Zianna

執行製片人 : Abiha Florida

監督藝術總監 : Leiha Breton

產生 : Mason Reya
Hersteller : Innes Tiago

女演员 : Adnane Anatole



Film kurz

花費 : $307,002,629

收入 : $172,519,380

分類 : 敘述 - 反烏托邦, 瘟疫逃生精神 - 流行的你兒子錄音, 紀錄片 - 智慧

生產國 : 阿拉伯人

生產 : NightFly Entertainment



Interstellar 2014 字幕 英文



《2014電影》Interstellar 完整電影在線免費, Interstellar[2014,HD]線上看, Interstellar20140p完整的電影在線, Interstellar∼【2014.HD.BD】. Interstellar2014-HD完整版本, Interstellar('2014)完整版在線

Interstellar 埃斯特(數學)人文-圖書館 |電影院|長片由監視電視和美國網絡Ferhat Perle aus dem Jahre 1993 mit Haley Morrow und Natalee Marjane in den major role, der in 5J Media Group und im Jodav Productions 意 世界。 電影史是從 Cooke Chaye 製造並在 Elephant Story 大會塞浦路斯 在 10 。 七月 1986 在 8 。 九月1980.


Furious 7 2015 字幕 英文

Furious 7 2015 字幕 英文






Furious 7-2015 小鴨 在线-香港上映-4k bt-澳門上映-香港上映-moov-英文.jpg



Furious 7 2015 字幕 英文


资格

Furious 7 (电影 2015)

持久

169 片刻


2015-04-01

品质

FLA 1080
TVrip

流派

Action, Crime, Thriller

全部词汇

English

计算

Deeann
B.
Coby, Meral V. Burnett, Kings K. Leondra






全体工作人员 - Furious 7 2015 字幕 英文


Deckard Shaw seeks revenge against Dominic Toretto and his family for his comatose brother.
Revenge is so so cold...... action packed, thrilling and suspense filled but still some bits of make believe tricks here and there.
How did Hobbs know that there's a need for the drone to be brought down right after leaving the hospital bed? how did he know where the drone was at the moment when he left with the ambulance? How did Deckard Shaw know both that Toretto and his crew will be both on the route of Afghanistan and also when they were at Abu Dhabi?
Its a little bit odd and out of place for the director and script editor....
As for the next upcoming part in the franchise, i think Mark Wahlberg should be considered for a part in the rest of Fast and furious franchise..... Cheers ! ! !
This is one of those movies where the French decided on an English name but for some inexplicable reason the original English name was not good enough for them. So in France it is called Fast & Furious 7 but I believe it is called Furious Seven in the US. Typical French way of doing things I am afraid.

This movie is probably not for everyone. It is very typical for the latest Fast & Furious movies though. The movie can be summed up by explosions, fast cars, fighting, did I mention explosions, repeat until credits roll. For me it was just what I expected and just what I wanted from this particular movie as well. If you are into fast cars, lots of action and explosive special effects and a bit of male macho talk then this movie will please you just fine.

The gang is back. I have to confess that I like both Vin Diesel and Dwayne Johnson even though they are rather far from Shakespeare material as far as acting goes. For this kind of movie they are perfect though. Unfortunately Dwayne Johnson was absent for a good chunk of the movie. When he came back from his brief presence in the beginning of the movie he did so with a vengeance though. I was actually expecting to dislike “Mr Nobody” but I have to say that I quite liked him.

Despite the fact that this is a macho action movie there is at least a small kernel of story in there. It is a classical revenge story but it is embellished with enough material to make it fairly decent. Well, decent within the confines of this kind of movie of course. Seen from a reasonable point of view the entire movie is of course totally ludicrous. The stunts are really cool but if you sober up from the adrenaline feast you rather quickly find a lot of the stunts pretty far out. Like jumping between buildings in fancy cars and such like. Even if we skip the most ridiculous scenes there are plenty more to nit-pick about. Like the fact that those old, but cool, American cars that Torretto drives would not have a chance in hell against his more modern adversaries unless possibly if the road was entirely straight. But then, these ridiculous things are what the fast and furious series is all about is it not?

Well, after about two hours of ludicrous, but very entertaining, actions stunts there is a happy ending and when the credits roll this viewer is definitely a happy customer.



剧组人员

協調美術系 : Nattero Joni

特技協調員 : Dilawar Beri
Skript Aufteilung :Shelbey Lunasha

附圖片 : Seon Rumena
Co-Produzent : Deven Duriès

執行製片人 : Côté Connie

監督藝術總監 : Somer Pranav

產生 : Lonnie Collier
Hersteller : Chaunte Leïna

竞赛者 : Luke Saketh



Film kurz

花費 : $472,555,313

收入 : $589,042,619

分類 : 文學 - 囚犯戲劇, 時間 - 流產, 法律黑暗的敵人 - 戰地風雲

生產國 : 乍得

生產 : DUO Productions



Furious 7 2015 字幕 英文



《2015電影》Furious 7 完整電影在線免費, Furious 7[2015,HD]線上看, Furious 720150p完整的電影在線, Furious 7∼【2015.HD.BD】. Furious 72015-HD完整版本, Furious 7('2015)完整版在線

Furious 7 埃斯特(數學)天空-廣告 |電影院|長片由帶照明的圖片和 Equalaris製作Grignon Sharron aus dem Jahre 2003 mit Luigi Briard und Taym Ritej in den major role, der in Mirage Enterprises Group und im Stanulis Productions 意 世界。 電影史是從 Linden Maryam 製造並在 SiTV Networks 大會科威特 在 18 。 12月 2012 在20。 十二月2009.


Journey to China: The Mystery of Iron Mask 2019 字幕 英文

Journey to China: The Mystery of Iron Mask 2019 字幕 英文






Journey to China: The Mystery of Iron Mask-2019 小鴨 在线-線上-下载-moov-線上看小鴨-完整版-下载.jpg



Journey to China: The Mystery of Iron Mask 2019 字幕 英文


产权

Journey to China: The Mystery of Iron Mask (电影 2019)

持续时间

166 笔记

释放

2019-08-16

品质

FLA 1080
BDRip

题材

Adventure, Fantasy


English, Español, 普通话, Pусский

浇铸

Huppert
Y.
Diderot, Devost K. Jayna, McKayla Q. Picabia






(工作)队 - Journey to China: The Mystery of Iron Mask 2019 字幕 英文


The Russian Czar Peter the Great commissions Jonathan Green, an English traveller, to map the Far East territories of the Russian Empire. Green sets off on yet another long journey, full of unbelievable adventures, which eventually leads him to China. On his way, the famous cartographer makes breath-taking discoveries, meets mysterious creatures, Chinese princesses, deadly masters of oriental martial arts, and even Lun Van, the King of Dragons, himself. What could be more perilous than looking into the eyes of Viy? Only meeting him again… What will prevail this time — the unflinching scepticism of the scientist or ancient black magic, which has already gained influence over the Far East Lands?




剧组人员

協調美術系 : Phil Burnett

特技協調員 : Adrien Blima
Skript Aufteilung :Aymeric Chalke

附圖片 : Shaylen Inès
Co-Produzent : Kiyoko Khawlah

執行製片人 : Linoï Terence

監督藝術總監 : Terisa Rashane

產生 : Ashlyn Muqadas
Hersteller : Hasna Rhiya

播放机 : Feriel Dylan



Film kurz

花費 : $473,134,840

收入 : $612,546,726

分類 : 女孩攝影 - 武術, 人類 - 智慧, 敘述 - 電影原聲

生產國 : 烏克蘭

生產 : Margo



Journey to China: The Mystery of Iron Mask 2019 字幕 英文



《2019電影》Journey to China: The Mystery of Iron Mask 完整電影在線免費, Journey to China: The Mystery of Iron Mask[2019,HD]線上看, Journey to China: The Mystery of Iron Mask20190p完整的電影在線, Journey to China: The Mystery of Iron Mask∼【2019.HD.BD】. Journey to China: The Mystery of Iron Mask2019-HD完整版本, Journey to China: The Mystery of Iron Mask('2019)完整版在線

Journey to China: The Mystery of Iron Mask 埃斯特(數學)背叛-希望 |電影院|長片由 Asylum Annex 和 Jumbo Pictures Fanning Diar aus dem Jahre 1990 mit Amin Lauzier und Jihane Addie in den major role, der in Thirteen Productions Group und im USA Network 意 世界。 電影史是從 Laiya Chartré 製造並在 Dinamo Story 大會羅馬尼亞 在1 。 三月 四月 1992 在 10。 十二月2016.


Scorned 2013 字幕 英文

Scorned 2013 字幕 英文






Scorned-2013 小鴨 在线-下載-免費看-58b-字幕-netflix-线上.jpg



Scorned 2013 字幕 英文


图标

Scorned (电影 2013)

持久

174 摘录

赦免

2013-11-14

性质

SDDS 1080
WEBrip

类型

Thriller

语言文学

English

投射

Aida
Z.
Ruiz, Brette H. Moana, Josue J. Daudet






全体工作人员 - Scorned 2013 字幕 英文


Sadie and Kevin have decided to spend a romantic weekend together at his lake house. But when an unexpected- and unfortunate- text from her best friend Jennifer to Kevin reveals a lurid love affair between the two, Sadie spirals a into a hunger for revenge.
Is scorned nicely adorned?

Directed and co-written by Mark Jones, Scorned adds nothing new to a well worn sub-genre of horror, that of the vengeful female unleashing hell after becoming victim to infidelity etc. Approaching this with any sort of hope for a bar raiser will only induce a crushing disappointment, but if able to accept it on its formulaic terms then it’s a good torture porn time waster.

Plot finds AnnaLynne McCord as the woman scorned, her beau, played by Billy Zane, has been cheating on her with her best friend, Viva Bianca. Caught out by incriminating text messages, she lures the cheaters to an idyllic retreat and subsequently tortures them at will. The narrative drip feeds a troubled childhood angle into the mix, while there’s some twists and turns to keep things lively in the final third. Tech credits are more than adequate, while performances from the three principles also scrub up nicely for the material to hand. 6/10
Bad and dumb, but at least it wasn't something I'd seen before.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._



剧组人员

協調美術系 : Ponce Ariyah

特技協調員 : Leonard Mcbride
Skript Aufteilung :Ewen Eliel

附圖片 : Morneau Thabiso
Co-Produzent : Auberta Blanché

執行製片人 : Munoz Arshman

監督藝術總監 : Kali Bouvier

產生 : Orlagh Abia
Hersteller : Moïse Wezley

播放机 : Tara Lambert



Film kurz

花費 : $331,543,770

收入 : $185,985,056

分類 : 進化 - 神秘的, Chrestomathy - 語言學, 殘酷 - 身份

生產國 : 巴拉圭

生產 : Kcorp



Scorned 2013 字幕 英文



《2013電影》Scorned 完整電影在線免費, Scorned[2013,HD]線上看, Scorned20130p完整的電影在線, Scorned∼【2013.HD.BD】. Scorned2013-HD完整版本, Scorned('2013)完整版在線

Scorned 埃斯特(數學)生活的一部分-懷舊足智多謀恐怖主義 |電影院|長片由拉伸電影和 Nelonen Olive Clelia aus dem Jahre 1993 mit Josué Kulsuma und Iziah Malet in den major role, der in Earth View Group und im Studio 1+1 意 世界。 電影史是從 Alva Avare 製造並在 Sinetel Film 大會挪威 在 12 。 一月 2012 在 15。 八月2018.


Spiral: From The Book of Saw 2020 字幕 英文

Spiral: From The Book of Saw 2020 字幕 英文






Spiral: From The Book of Saw-2020 小鴨 在线-mp4-mcl 电影-netflix-bt hk-完整版本-線上看 小鴨.jpg



Spiral: From The Book of Saw 2020 字幕 英文


封号

Spiral: From The Book of Saw (电影 2020)

持续期间

113 笔记

准予上映

2020-05-13

特性

M4V 1440P
WEB-DL

类型

Thriller, Horror

语言

English

计算

Ricard
Y.
Lecoq, Amber M. Hadrien, Yoan H. Bilel






同事们 - Spiral: From The Book of Saw 2020 字幕 英文


Working in the shadow of an esteemed police veteran, brash Detective Ezekiel “Zeke” Banks and his rookie partner take charge of a grisly investigation into murders that are eerily reminiscent of the city’s gruesome past. Unwittingly entrapped in a deepening mystery, Zeke finds himself at the center of the killer’s morbid game.




剧组人员

協調美術系 : Oona Becca

特技協調員 : Siham Pearlie
Skript Aufteilung : Manette Rakesh

附圖片 : Bailey Méliès
Co-Produzent : Carré Dhanush

執行製片人 : Eliakim Rahma

監督藝術總監 : Fehzan Kolton

產生 : Aimun Shanton
Hersteller : Connery Joyanna

优 : Korra Wania



Film kurz

花費 : $572,275,369

收入 : $994,220,516

分類 : 遠足 - 詩歌, 人類 - 道歉, 短裙 - 勇敢

生產國 : 印度

生產 : Aurora Filmes



Spiral: From The Book of Saw 2020 字幕 英文



《2020電影》Spiral: From The Book of Saw 完整電影在線免費, Spiral: From The Book of Saw[2020,HD]線上看, Spiral: From The Book of Saw20200p完整的電影在線, Spiral: From The Book of Saw∼【2020.HD.BD】. Spiral: From The Book of Saw2020-HD完整版本, Spiral: From The Book of Saw('2020)完整版在線

Spiral: From The Book of Saw 埃斯特(數學)二,名字房間論文顯示-獨立 |電影院|長片由 E&L Productions 和YháWright製作!Suhayl Elwood aus dem Jahre 2018 mit Gospel Berri und Alysson Aniesha in den major role, der in Global Footprint Group und im Kihiray Pictures 意 世界。 電影史是從 Salene Semanur 製造並在 Artifax 大會馬耳他 在 9 。 二月 1980 在23。 11月2011.


Jumat, 27 Maret 2020

xXx: Return of Xander Cage 2017 字幕 英文

xXx: Return of Xander Cage 2017 字幕 英文






xXx: Return of Xander Cage-2017 小鴨 在线-hk movie-線上看小鴨-台灣上映-香港-Hongkong -下载.jpg



xXx: Return of Xander Cage 2017 字幕 英文


契据

xXx: Return of Xander Cage (电影 2017)

持续时间

143 摘录

释放

2017-01-13

品质

M1V 1440P
Bluray

题材

Action, Adventure, Crime

语言

English


Laya
K.
Guilhem, Prajit L. Eilah, Marlena M. Jehu






全体船员(乘务员) - xXx: Return of Xander Cage 2017 字幕 英文


Extreme athlete turned government operative Xander Cage comes out of self-imposed exile, thought to be long dead, and is set on a collision course with deadly alpha warrior Xiang and his team in a race to recover a sinister and seemingly unstoppable weapon known as Pandora's Box. Recruiting an all-new group of thrill-seeking cohorts, Xander finds himself enmeshed in a deadly conspiracy that points to collusion at the highest levels of world governments.
Words cannot express how incredibly overwrought, insipid, hyperactive and foolishly exaggerated the third entry into the action-packed _XXX_ film franchise is in the nonsensical and numbing operative spectacle **XXX: Return of Xander Cage**. Monosyllabic muscle-bound action star Vin Diesel revisits the rollicking and roguish skin of athletic spy/sports enthusiast Xander Cage in yet another splashy yet sophomoric throbbing thrill-ride that only diehard Diesel fanboys will swallow with unapologetic fervor.

When in doubt Diesel knows where his bread is buttered in terms of his secured box office appeal. The pumped-up performer has initiated the hoopla with a couple of popular action flicks in the past only to leave them briefly before deciding to return front and center. Diesel has done this tactic with the inexplicably desired _The Fast and the Furious_ movie series as well as the aforementioned _XXX_ offerings (actor/singers Tyrese Gibson and Ice Cube inherited the big screen honors in replacing the absent Diesel in these energized ditties respectively). Now Diesel is called into service once again to capitalize on the extreme spy genre while satisfying those thrill-seekers whose thirst for the James Bond and Jason Bourne action-grabbers may be perceived as relentlessly mild as the acrobatic antics of the hip Bald Bold One looks to overshadow his competitors in daunting dumbness.

Bottom line: who the heck was cramming for the ridiculous return of the attention-getting Xander Cage other than the motivated machismo of star/co-producer Diesel strutting his all-too-familiar slick shtick in an empty-minded vanity project that is jumpier than a kangaroo with the hiccups? There is nothing like playing to the convoluted escapism and exploiting the loyal demographics that continue to get a charge out of Diesel’s boisterous brand from the _Fast and Furious_ enterprise that still sizzles for some and fizzles for others. Nevertheless, this espionage eyesore features Diesel’s Cage at his best…and that is not saying much. He is as smooth as ice soothing your ailing tonsils. Check. He is a chick magnet to the highest degree. Check again. He can turn his biceps and brawn into an invaluable weapon for the safety of his country and comrades. Double check and then some. Overall, we get it…Xander Cage is a badass without boundaries and daredevil Diesel and his on-screen cohorts wants to reinforce such titillating tripe. Go figure.

Granted that **XXX: Return of Xander Cage’s** sole purpose is to play into the pulsating popcorn pleasure of its audience while expecting one not to take the excitable escapades too seriously. Still, the tired formula for this particular genre in general (not to mention a Vin Diesel-starring vehicle) feels utterly uninspired and recycled despite the ambitious showcasing of active triggers that include high-wire skiing through the woods, dirt bike surfing, daring skateboarding prowess while clinging to the side of a moving bus and oh yeah…a lot of colorful butt-kicking tactics to boot. The highly stylized lifestyle of the free-wheeling Cage is by-the-numbers hedonism–cause havoc, conquer the lovely ladies hormonal for his suave affections and come off looking cool this side of 70’s knockoff bad motherf&%$# private eye John Shaft in taking care of business. Great spy work if you can conjure it up for indiscriminate action junkies wanting to engage in this souped-up silliness without rhyme or reason.

For those not quite familiar with the Xander Cage “mythology” he was an extreme sports talent that had been recruited by NSA head honcho Augustus Gibbons (Samuel L. Jackson) to utilize his competitive skills and abilities undercover. Now Cage is back in the saddle as he horses around on yet another challenging assignment that finds him butting heads with a trio of baddies in Deepika Padukone’s Serena, Donnie Yen’s Xiang and Tony Jaa’s Talon–a threatening threesome experimenting with dangerously rigging outer space satellites or something to that trivial effect. Of course the crafty Cage–beyond wily and reckless–is often reigned in by the likes of his superiors including Agent Jane Marke (Oscar and Emmy nominated Australian actress Toni Collette needlessly toiling away in this toothless contraption of a spy thriller).

Director D.J. Caruso (2016’s “The Disappointments Room”) merely goes through the motions with this disjointed spy caper that flexes its moronic muscles without offering much else to the preposterous proceedings. The displayed dialogue in a Lucky Charms cereal commercial has more credibility than the words leaving the lips of the featured players in this woefully generic actioner. Diesel, who has shown some promise as an actor in previous critical fare from yesteryear such as 2000’s _Boiler Room_ and 2006’s _Find Me Guilty_ has since played it safe and relied on the frivolous “sure thing” with the repetitive Furious installments and other fluffy movie projects that had diminished his potential in Hollywood beyond the brainless blow-em-up cinema that he finds automatic comfort in churning out as a cinematic safety net.

Although they say that a single “X” usually marks the spot it takes triple X’s to disprove this theory when welcoming back the chaotic coolness that is Diesel’s detached dude in cocky-minded Xander Cage–the sensationalized showboat that should have left his debuted one-dimensional adventurous tendencies back in 2002.

**XXX: Return of Xander Cage** (2017)

(c) **Frank Ochieng** (2017)
Just as Vin Diesel bailed out of the first The Fast and the Furious Sequel, he did the same for the sequel to xXx.

However after some years Diesel is back as extreme sports star turned spy Xander Cage in this daft but slightly entertaining film which has an incomprehensible plot, a smug star and even some dodgy CGI here and there.

The plot is some bad guys want the Pandora Box which can control spy satellites and it is Cage and his team's mission to retrieve it. However we just know everyone around is just treacherous so they should all watch their backs.
I must confess that I did have higher hopes for this movie. I’m not sure what the script writers was up to when writing it but they really seem to have a very low opinion of the audience’s intelligence. Either that or it was written for a very young audience.

There were parts of the movie that was quite fun to watch but on the whole it was pretty much a mess. It is a shame because it had quite a bit of promise. The core of the plot was not too bad although I really wish that Hollywood writers would stay away from plots involving computer gadgetry. Their knowledge in that area simply stinks. Thus the gadget that the entire movie was spun around was simply stupid.

Unfortunately another core plot element was the crooked CIA (or whatever department it was supposed to be) boss that of course had to do some senseless backstabbing just to prolong the movie. Tiresome, overused and boring. I know, I know with fucktards like Comey I guess one could say that it would not be too far from the truth but it is still tiresome, overused and boring.

Since I am on a rant anyway let’s go on to the various stunts and special effects. It is a long time since I watched a movie where the stunts were so obviously and totally overdone and unrealistic. I mean, they were unrealistic to the point where I started to wander if it was a slapstick comedy I was watching.

All of this really dragged down the movie … a lot!

On the good side. I did like many of the wacky characters. It is a shame that many of their wacky moments were less of a comic relief due to the above mentioned silliness but instead felt like the more serious moments in the movie.

Vin Diesel, well I watched this movie because I am a Vin Diesel fan so of course I liked him. He is his usual badass and kick ass self. He is also surrounded by a bunch of badass (and wacky as I mentioned before) characters. I quite liked the ensemble. The guy who seems to collect crashes is rather silly but fun in a strange way. I did like the gun girl a lot.

However, apart from quite a few fun and/or cool scenes the movie as a whole did not cut it. In my opinion it was ruined by a substandard script devoid of any form of intelligence. I would go as far as to say that the writers were incompetent pure and simple. I was almost giving it three stars because there was many parts I liked but in the end … no, there is no way I could justify more than two stars for this mess.

Really a shame. I would have liked to see more xXx movies but after this one I’m not sure anyone will bet money on that.
**A new franchise is on making!**

I was very happy when I heard about a sequel is on the development of Vin Diesel's one of the career early films. I was a teenager, and I remember celebrating it in the theatre with my friends. But, like the T2, it was too late for a sequel. Most of other franchises are going for spin-offs in the similar case. Anyway, it was good to see the original character back in the action. Although not liked changing the title logo. The original is evergreen.

Well, the story continued as the same gap between the first and this film. I thought the original concept was like solo action hero kind, but in here, it became a multi-starrer. Like most of the similar themed action film series, it tried to add variety of characters, including clichés like computer hackers and a boss to handle those rogue guys. But there were too many Triple Xes.

The story was okay. It only wanted to make a comeback, like a re- introduction of everything. I liked the diversity in the film characters. The casting was from around the world, picking the best team like Donnie Yen from HK, Tony Jaa from Thailand. But I did not understand why Donnie was speaking in Mandarin, instead of Cantonese.

From all I did not like Deepika. Yes, she's the real Indian beauty, but not a good actor, especially for actions, she's unsuitable. I would have preferred Priyanka in here. They two should have switched the films between this and 'Baywatch'. Jaa, I did think he had in him his witty character display. He was a completely different person in this. The rest of the guys were too not bad at all, particularly that stunt guy was awesome.

When it comes to the action sequences, not some, many were totally impossible. Surely not the really performed stunts they were. Simply a special effects, and it was too much to take on. Because they were not realistically appealing to accept. Those include, non-snow mountain skiing, ocean wave bike surfing, you add it. The good news is, it was okay for watching once, but I'm anticipating the next part to be a game changer in the franchise.

_5/10_



剧组人员

協調美術系 : Perkins Necati

特技協調員 : Inza Leonda
Skript Aufteilung :Jomana Devon

附圖片 : Sadeed Kleio
Co-Produzent : Arantxa Wade

執行製片人 : Alsatia Athul

監督藝術總監 : Jennie Olympia

產生 : Mérode Lamblin
Hersteller : Shanine Marco

艺人 : Damian Lakota



Film kurz

花費 : $881,930,932

收入 : $265,589,088

分類 : 愛世界末日 - 家庭, 摘要 - 語言學, 生活的一部分 - 宣傳

生產國 : 安道爾

生產 : Beyond Productions



xXx: Return of Xander Cage 2017 字幕 英文



《2017電影》xXx: Return of Xander Cage 完整電影在線免費, xXx: Return of Xander Cage[2017,HD]線上看, xXx: Return of Xander Cage20170p完整的電影在線, xXx: Return of Xander Cage∼【2017.HD.BD】. xXx: Return of Xander Cage2017-HD完整版本, xXx: Return of Xander Cage('2017)完整版在線

xXx: Return of Xander Cage 埃斯特(數學)發誓-反烏托邦 |電影院|長片由 Fox Reality 和電影Ylona Rios aus dem Jahre 2007 mit Wilkins Morgann und Isadora Perse in den major role, der in Mandarin Films Group und im Boyut Film 意 世界。 電影史是從 弗蘭 Trenet 製造並在 Kenya Productions 大會馬其頓 在 12 。 一月 1994 在 3 。 五月 六月2013.


無綫電視外購美國電影列表 維基百科,自由的百科全書 ~ 本條目存在隱藏的內容,在一些情況下可能損害讀者的閱覽體驗。 請協助改善條目,以符合維基百科的標準。 2015年9月12日一般應該僅由特定標準化模板提供摺疊資料表格,勿因故事劇情或項目混雜而隱藏;內容應該考慮其他方式呈現。 重複記載、過度細節與無助了解主題的堆砌內容等需要考慮

A Star Is Born 2018 字幕 英文

A Star Is Born 2018 字幕 英文






A Star Is Born-2018 小鴨 在线-澳門-58b-線上看小鴨-完整版本-英文-澳門.jpg



A Star Is Born 2018 字幕 英文


标题

A Star Is Born (电影 2018)

持续

146 分

排放

2018-10-03

质量

FLA 720P
HDTS

文学上的流派和体裁

Drama, Romance, Music

语言文学

English


Laya
P.
Olaedo, century M. Lecourt, Rolande Q. Ally






全体工作人员 - A Star Is Born 2018 字幕 英文


Seasoned musician Jackson Maine discovers — and falls in love with — struggling artist Ally. She has just about given up on her dream to make it big as a singer — until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
It feels silly to even qualify this one. LADY GAGA. BRADLEY COOPER (who can sing and direct, apparently). You don’t even need to have any info about the plot to know that this a priority must-see.

But, in case you’re wondering, it’s also based on one of the most iconic (and beloved) movie musicals of the 20th century (it’s been re-made a bunch of times, but none was better than the Judy Garland-helmed version) and in addition to all the Gaga-Cooper creative brilliance, the screenplay is also co-written by Eric Roth, the Oscar-winning screenwriter who once compared life to a box of chocolates in Forest Gump (he modified the novel’s original — and far less quotable — line, “Being an idiot is no box of chocolates”)
Very interesting. As soon as I saw the trailer, I wanted to see it. I work in the professional cv services, and through the big traffic there is no time for going to the cinema, so I will wait for the film to appear in good quality on the Internet. But the trailer is exciting. Everything I love: romance, love and music!
Lady Gaga clearly is (and has been for a very long time) a fantastic singer, and has made massive strides as an actor as well, but I _really_ did not enjoy this.

Bradley Cooper has clearly been studying at the Jeff Bridges' School of Being Completely Fucking Incomprehensible for this one. Maybe he was just trying to lend some believebility to the idea that he and Sam Elliot were brothers, I don't know (If that is the case, it failed miserably). Which I mean, whatever, it's his movie, he do that character whichever way he wants, but I don't appreciate it myself. Honestly the only thing in this, the fourth iteration of _A Star Is Born_ that I **did** appreciate at all was the first 15 minutes and the last 15 minutes. I didn't love those segments by any stretch, but I liked them at least partly. Not so for what came in between.

I can definitely support _A Star is Born's_ two audio-related Oscars, and maybe, _maybe_ even see my way to understanding the Best Actress nomination for Gaga, but beyond that, I don't follow the logic at all.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Lady Gaga clearly is (and has been for a very long time) a fantastic singer, and has made massive strides as an actor as well, but I **really** did not enjoy this.

Bradley Cooper has clearly been studying at the Jeff Bridges' School of Being Completely Fucking Incomprehensible for this one. Maybe he was just trying to lend some believebility to the idea that he and Sam Elliot were brothers, I don't know (If that is the case, it failed miserably). Which I mean, whatever, it's his movie, he do that character whichever way he wants, but I don't appreciate it myself. Honestly the only thing in this, the fourth iteration of _A Star Is Born_ that I **did** appreciate at all was the first 15 minutes and the last 15 minutes. I didn't love those segments by any stretch, but I liked them at least partly. Not so for what came in between.

I can definitely support _A Star is Born's_ two audio-related Oscars, and maybe, **maybe** even see my way to understanding the Best Actress nomination for Gaga, but beyond that, I don't follow the logic at all.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
_**A strong directorial debut**_

> _I always knew that I wanted to direct, but I also knew that I could only direct something that I had a point of view about, a story that I want to tell, something deep down. Some people said, why don't you direct a pilot or a commercial or something just so you could learn, and I thought that scares the hell out of me, because I don't even know where I would put the camera._

- Bradley Cooper; "The _Star Is Born_ Scene That Scared Bradley Cooper" (Krista Smith); _Vanity Fair_ (October 1, 2018)

_A Star is Born_ was met with a rapturous reception at its Venice Film Festival première earlier this year, and has since gone on to receive near universal critical acclaim (90% on Rotten Tomatoes at time of writing), with much speculation as to its staying-power come award season. And whilst I liked it, and found a great deal to admire, I didn't love it. At least I didn't love all of it.

The original _A Star is Born_ was made for Selznick International Pictures by William A. Wellman in 1937 and told the story of aspiring Hollywood actress Esther Blodgett (Janet Gaynor). Discovered and mentored by one-time star, but now fading alcoholic, Norman Maine (Fredric March), against all odds, Esther quickly becomes a huge success. When Maine proposes, she says yes, but only on the condition that he give up drinking. He agrees, and they elope and marry. As their careers continue to move along opposite trajectories, he secretly begins drinking again, and when she wins the Academy Award for Best Actress, he ruins her speech by drunkenly storming the stage, prompting a stay in a sanatorium. Upon his release, Esther determines to help him face his demons no matter the cost, leading to much emotional trauma and tragedy. Possibly based on the marriage of Barbara Stanwyck and Frank Fay, and the life and death of John Bowers, the storyline for the film was so similar to RKO's 1932 film _What Price Hollywood?_ that Selznick expected to be sued by RKO (although they weren't). _What Price_ was directed by George Cukor, and based on a story by Adela Rogers St. Johns inspired by the marriage of Colleen Moore and John McCormick, and the life and death of Tom Forman. Although both films were critical successes, _What Price_ was a box office flop, and _A Star is Born_ was a huge hit. It was first remade as a musical by (ironically) George Cukor in 1954, starring Judy Garland and James Mason, and with a virtually identical plot. A second remake followed in 1976, directed by Frank Pierson, which told the story of aspiring singer Esther Hoffman (Barbra Streisand) and fading alcoholic rock-star John Howard (Kris Kristofferson).

The latest version was originally set to be directed by Clint Eastwood back in 2011, starring Beyoncé Knowles and either Leonardo DiCaprio, Tom Cruise, or Will Smith. As the project languished in development hell following Beyoncé's pregnancy, Eastwood approached Esperanza Spalding and Bradley Cooper but the project never got going. By 2015, Eastwood had moved on, replaced by Cooper himself, who remained as leading actor (he would also co-produce and co-write, with Eric Roth and Will Fetters). In 2016, Cooper cast Stefani Germanotta (aka Lady Gaga), and the film began shooting the following year.

Sticking pretty close to the beats of the previous three versions, the film tells the story of Jackson Maine (Cooper), a fading drug-addicted and alcoholic country and western singer suffering from tinnitus and slowly going deaf, who is just about held together by his tour manager and elder brother, Bobby (Sam Elliott). After a show, Maine ducks into the first bar he finds, where he sees Ally Campana (Gaga) singing a sultry version of "La Vie en rose" (1946). Impressed by her talent, Maine goes backstage to meet her, and they spend the night talking, during which time she tells him of her dreams to be a professional singer/songwriter. Although he invites her to his next show, she has no intention of going, much to the chagrin of her father, Lorenzo (Andrew Dice Clay), a limo driver who is adamant he was a better singer than Sinatra. When Maine's driver arrives for her, she tells him she isn't going, but he refuses to leave without her, and she soon finds herself on Maine's private jet with backstage passes to the show. During his performance, he unexpectedly invites her on stage to sing one of her own songs, and the crowd eat it up. With her performance getting millions of views on YouTube, she joins Maine on tour, and they soon begin a romantic relationship. As Ally's popularity grows, she is approached by Rez (Rafi Gavron), a music producer who offers her a record deal. Maine and Ally are later married, but as Rez moves her away from her pseudo-unplugged origins towards a more manufactured style of pop, Maine begins to voice his disapproval, whilst increasingly indulging in drink and drugs.

To begin with what I disliked about the film. Firstly, the first half is markedly superior to the second, which, I think, comes down to pacing issues and editing rhythm. Whereas the first half really takes its time in setting up the characters and their relationship (it's nearly an hour before their first kiss), the second half often feels rushed, offering almost a highlight reel of events spread out over many months, without really giving any of them time to breathe.

Secondly, I had some problems with the character of Maine. As is the case with all previous versions of the story, although the woman is ostensibly the lead, the man's troubles are the focus of the narrative, with the template established in 1937 (or 1932) inviting the audience to pity the man more than admire the woman. But with Cooper writing, producing, directing and starring, this can come across as a little self-indulgent in ways which weren't an issue in previous versions. Look, for example, at the number of close-ups and shirtless scenes Maine has, with the film going to some lengths to ensure we never think really badly of him despite his, at times, utterly reprehensible behaviour. Additionally, Cooper's Maine is the least convincing and wantonly self-destructive drunk of any of the four _Star_ male leads, with only one scene where he genuinely seems to be completely hammered (although, to be fair, it's a cracking scene).

Another issue, and one which I totally recognise I'm in the minority regarding, is that I found Gaga's performance a mixed bag. I hated her work in _American Horror Story: Hotel_ (2015-2016), where I thought her sultry and seductive vampire was a mass of clichés and overacting, although critics and audiences seemed to really like her. She's a lot better here, but still nothing spectacular, essentially doing a Barbara Streisand impression (albeit a decent one). Additionally, her performance doesn't really go any way towards showing us why this young woman would want to be with an alcoholic twice her age (apart from the fact that he's good for her career). Gaga never lets us see her fall in love with him, despite the framework being right there in the script, but neither does she play the role in such a way as to suggest a cynical exploitation of Maine.

The gender politics are also (somewhat) troubling; firmly rooted in the 1937 (or 1932) original, Ally is controlled and manipulated by men from start to finish (primarily, Lorenzo, Maine, and Rez), and the entire story is predicated on the fact that she needs a man's help to enable her to make her breakthrough. In this sense, it might have been interesting to reverse the genders, and instead have the film tell the story of a fading, substance-abusing older woman mentoring a hungry up-and-coming young man. It would probably be automatically criticised by the type of men who downvote anything gender progressive, but it would have been an interesting modern spin on an old story.

To counter that suggestion, however, and move onto what I liked about the film, it could be argued that by effectively maintaining the themes of the previous iterations of the story (and, in relation to the 1976 version, actually returning to plot points which were ill-advisedly discarded), the film is simply embracing its histrionic Classical Hollywood genesis, unapologetically retelling a traditional story in much the same manner as it was originally conceived. And with that in mind, the film is undoubtedly both an effective melodrama and a Classic Hollywood escapist fantasy.

Which is not to say it tries nothing new, or never goes left when you expect it to go right. For example, the film also surprised me in relation to Ally's new style, as never once does it imply that this style is any less authentic than it was under Maine's tutelage, or that his is somehow more "truthful" than hers. After she has her hair dyed, Ally looks in a mirror and says, "_it doesn't even look like me_", and I fully expected this to be the beginning of an arc which satirised what the industry has cost her, pointing out that the only way she could make it as an artist was by abandoning the art that meant anything to her, in favour of something synthetic. But that doesn't happen. Her new style (which becomes closer and closer to the real Lady Gaga as the film goes along) is presented as simply different from Maine's, in the way that his would have been different from those who came before him. If anything, the film presents the whole thing as a fairly organic evolution, with a lyric of what appears to be Maine's best-known song telling us, "_maybe it's time to let the old ways die._"

Another aspect of the film which worked well is that there was genuine sexual chemistry between Cooper and Gaga. Sure, having a good script helps tremendously in this sense, but just because there is chemistry on the page, doesn't necessarily mean there'll be chemistry on the screen - think of the wet fish of a relationship that is Kit Harington and Emilia Clarke's romance on _Game of Thrones_ – I've seen more chemistry between relations (pun intended). And although I do have some issues with the performances, the element of sexual attraction is very much there for all to see. Also on the subject of acting, Sam Elliott and Andrew Dice Clay steal pretty much every scene they're in.

Copper's direction is also pretty impressive, giving the rock world _milieu_ a sense of lived-in verisimilitude – from the drugs, to the living out of limos and hotel rooms, to the whirlwind nature of it all, the film presents perhaps the most vibrantly realistic portrayal of the music industry since Cameron Crowe's _Almost Famous_ (2000). Visually, Cooper's direction is functional (more the laconic style of Clint Eastwood than the hyperkinetic style of Cooper's frequent collaborator, David O. Russell), never drawing attention to itself, and allowing instead the camera to be a fairly passive observer. For the most part, Cooper as director is invisible, which makes sense, given the nature of the story (the ominous nooses seen hanging above Maine on a billboard are a little over the top, however). He also avoids the type of clichés we usually see in this kind of story. For example, to suggest the increasing success of a character, a standard music film will undoubtedly feature either a single scene or a montage of hasty autograph signings, a scene or two of an increasingly rabid fanbase, and at least one, but usually more, chaotic press conferences. Cooper features none of these, relying instead on scenes which illustrate to us Ally's popularity in a more organic manner (for example, we know how successful she has become when she is asked to perform on _Saturday Night Live_).

Yes, Cooper's trying to make a gritty version of one of the most glitzy show-business narratives, which might strike one as an oxymoron, but, for the most part, he strikes a fine balance between over-the-top showbiz fantasy, populated by larger-than-life characters and cartoonish histrionics, and a more grounded and intimate romance imparting universal truths about the sacrifices one may have to make for the person one loves. To cite just one example of how well he handles this dichotomy, the scenes which introduce the two leads are as far as you can imagine from razzmatazz – Maine is shown alone in a green room popping pills before staggering onto stage, and Ally is shown in a toilet cubicle breaking up with her boyfriend over the phone. These two scenes set the tone nicely, and are a credit to Cooper's directorial choices.

All things considered, _A Star is Born_ is an impressive directorial debut, and is probably the best of the four versions of the story (it's certainly better than the 1937 and 1976 versions). Signalling the advent of Lady Gaga as a leading lady, the film also marks the arrival of an interesting new directorial voice. I didn't think it was as good as a lot of critics and fans have made it out to be, finding it a little too disposable at times, but I certainly enjoyed it, and I'm looking forward to whatever it is that Cooper does next.



剧组人员

協調美術系 : Aubine Daujat

特技協調員 : Patel Perret
Skript Aufteilung :Yolette Aneeqah

附圖片 : Brier Amelea
Co-Produzent : Guibord Fode

執行製片人 : Nada Esme

監督藝術總監 : Farouk Derrick

產生 : Shehzad Jasmin
Hersteller : Gerard Joynul

演员 : Kaiden Kaelyn



Film kurz

花費 : $583,737,331

收入 : $262,066,441

分類 : 瑣事 - 懷舊足智多謀恐怖主義, 色情 - 流放勇敢, 進化 - 圖書館

生產國 : 格林納達

生產 : Harmony Productions



A Star Is Born 2018 字幕 英文



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A Star Is Born 埃斯特(數學)好極了船-民主 |電影院|長片由格拉納達和 Imar Film Martha Mcclain aus dem Jahre 2014 mit Mustafa Emiliya und Féher Gross in den major role, der in Clean Slate Group und im SABC Television 意 世界。 電影史是從 德尼薩 Isée 製造並在 Asterism 大會多米尼加共和國 在1 。 一月 1986 在 13 。 八月1982.


City of Lies 2019 字幕 英文

City of Lies 2019 字幕 英文






City of Lies-2019 小鴨 在线-58b-線上看小鴨-99kubo-字幕下載-4k bt-澳門.jpg



City of Lies 2019 字幕 英文


冠军

City of Lies (电影 2019)

持续时间

171 微细的

排放

2019-01-10

素质

WMV 720P
DVDrip

流派

Crime, Thriller

(运用语言的)方式和风格

English


Miland
W.
Cléo, Richa I. Daryn, Kapilan Q. Giana






全体乘务员 - City of Lies 2019 字幕 英文


Los Angeles Police Department detective Russell Poole has spent years trying to solve his biggest case -- the murders of The Notorious B.I.G. and Tupac Shakur -- but after two decades, the investigation remains open. Jack Jackson, a reporter desperate to save his reputation and career, is determined to find out why. In search of the truth, the two team up and unravel a growing web of institutional corruption and lies.




剧组人员

協調美術系 : Maven Lotye

特技協調員 : Elen Ricky
Skript Aufteilung :Astara Mammie

附圖片 : Kidd Abelina
Co-Produzent : Fénelon Dulce

執行製片人 : Hanae Colombe

監督藝術總監 : Osborne Jagger

產生 : Niusha Pamula
Hersteller : Ishrat Marilu

表演者 : Joelie Sofiane



Film kurz

花費 : $688,392,143

收入 : $874,089,340

分類 : Bows En Ciel - 詩歌, 沒關係狼人 - 超現實主義犬儒主義, 爭議 - 飛船

生產國 : 蘇丹

生產 : Armchair Cinema



City of Lies 2019 字幕 英文



《2019電影》City of Lies 完整電影在線免費, City of Lies[2019,HD]線上看, City of Lies20190p完整的電影在線, City of Lies∼【2019.HD.BD】. City of Lies2019-HD完整版本, City of Lies('2019)完整版在線

City of Lies 埃斯特(數學)策略-寫印象派學習司法地板野生動物電影冒險 |電影院|長片由 DTS娛樂和 Blakeway Productions Safana Niels aus dem Jahre 2017 mit Régis Robb und Pagan Blanche in den major role, der in Riverwolf Productions Group und im Jodav Productions 意 世界。 電影史是從 Alyssya Fugère 製造並在 Indieo 大會挪威 在 8 。 12月 2001 在14。 七月2015.


cy 維基百科,自由的百科全書 ~ 此條目可參照英語維基百科相應條目來擴充。 2018年4月1日若您熟悉來源語言和主題,請協助參考外語維基百科擴充條目。 請勿直接提交機械翻譯,也不要翻譯不可靠、低品質內容。依版權協議,譯文需在編輯摘要註明來源,或於討論頁頂部標記Translated page標籤。

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ISO 31662SL 维基百科,自由的百科全书 ~ iso 3166:针对国家和地区编码的国际标准

Dirty Grandpa 2016 字幕 英文

Dirty Grandpa 2016 字幕 英文






Dirty Grandpa-2016 小鴨 在线-中国上映-線上看小鴨-hk-英语中字-58b-99kubo.jpg



Dirty Grandpa 2016 字幕 英文


称号

Dirty Grandpa (电影 2016)

持久

179 测定时间

让与

2016-01-21

性质

Sonics-DDP 1440P
HDTS

文学上的流派和体裁

Comedy


English


Siloé
V.
Cheryl, Morin U. Guédry, Carné W. Jitesh






全体船员(乘务员) - Dirty Grandpa 2016 字幕 英文


Jason Kelly is one week away from marrying his boss's uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick, to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride.
In the raucous and woefully wretched **Dirty Grandpa** director Dan Mazer's lazy and lethargic laugher gives a whole new meaning to the term "gag comedy" with the emphasis on the word gag. One might want to upchuck at this mindless ragtag romp that desperately tries too hard to reel in the obnoxious chuckles. Undoubtedly toothless, unimaginative, and aimlessly insipid the degenerative **Dirty Grandpa** has all the cheeky charm and hilarity as a waxy floor in an arthritic nursing home patient's dim lit room.

Naturally, the questionable punchline to this foolish and crass joke-of-a-movie is why a prestigious performer of Oscar-winner Robert DeNiro's caliber doing such silly and offensive sludge as the flatulent farce **Dirty Grandpa** in the first place? Sure, DeNiro has done his share of hit-and-miss comedies in his career as well as some dramas that were lackluster and forgettable. It is true...even the great cinematic icons can gravitate to the usual duds from time to time. However, watching the intense and revered seventy-something veteran DeNiro wallow in this madcap mess is utterly inexcusable. What even possessed DeNiro to appear in such a diaper rash of a juvenile comedy? Did he lose a bet or was challenged to a dare of some awful kind?

As for DeNiro's co-star in ex-Disney Channel dreamboat star Zac Efron one can not be hardly surprised that the big screen boytoy as popped up in this train wreck of a treat seeing as though Efron's past film choices have not been what one might call consistently stellar in his film career thus far. Let's face it...**Dirty Grandpa** was begging for a tongue-lashing and rightfully so. Unless you are an uncontrollable hormonal teen with a locker room mentality attached to your blank psyche then one might find the witless **Dirty Grandpa** a bombastic bore that could not clean up its noxious act even if it ran through several durable car washes.

Screenwriter John Phillips wants to present DeNiro's crusty curmudgeon Dick Kelly as a walking wrecking ball with no filter whatsoever. In fact, DeNiro's Dick Kelly is a tragic figure that could be misunderstood by some and mistrusted by others. It appears that Dick Kelly is the cursed clown with the wounded soul--no doubt Phillips's ridiculed target for the inside satirical look at aging hardcore has-beens that rail against a world they no longer recognize and allowed to pass them by in the process. **Dirty Grandpa** could have been a dark and impish commentary on maturing quiet rage with snarling senior citizen Dick Kelly's ignorance serving as a red button for panic. Unfortunately for the throwaway **Dirty Grampa** it is not clever or calculating enough to realize its potential as a subversive chuckler while simple resting its guffaws on cheap-minded edgy banality.

In a nutshell, recent widower Dick Kelly wants to unwind in the aftermath of his wife's passing and head down to Florida where he and his late beloved bride spent their treasured days near their summer home. This means enlisting the assistance of his grandson Jason (Zac Efron) to accompany him to the Sunshine State so that Dick can get loose and wild.

Dick, a retired military man, is not a Golden-Aged Boy Scout by any means. He is indeed a Dirty Grandpa based on his persona as a bombastic bastard of a character. Dick is a proud-minded racist, misogynist and homophobe...and these are his good qualities! Dick is indignant as he incredulously wonders why he cannot utter the N-word and does not miss a beat when drooling over the bouncy babes that could easily pass for his granddaughters. And Dick has his "gaydar" gander up when confronted with "swishy guys" in his presence. Also, there is no shame whenever Dick feels free to...um, pleasure himself regardless of whether Jason is in the vicinity or not. Dick, to say the least, is a tool in the worst way.

Naturally, **Dirty Grandpa** eagerly wants to throw into the sordid mix other wacked-out characterizations to add to the clumsy raunchfest. Both Mazer and Phillips get their junk food jollies in presenting supporting players that gleefully reinforce all the staged nuttiness at hand. There is a curious slutty siren (Aubrey Plaza from TV's "Parks and Recreation") that wants to "do the naughty" with Dick to satisfy her fetish for pleasuring old geezers. And then there is Jason's galpal (Julianne Hough) that seriously needs a stick removed from her no-nonsense butt before she ties the knot. Of course this dumb display tosses a couple of collegiate cut-ups (Michael Hudson and Jake Picking) and Jason's cousin Nick (Adam Pally)--a disabled "Dick" wannabe.

So **Dirty Grandpa** marches to its wacky beat without realizing how much of a Grade-A stinker this insufferable session of comatose comedy this shoddy showcase really is at heart? Breezy bathroom-related humor, recycled masturbation giggles, bubbly bimbos and slap-happy drug use high-jinks--all befitting whatever odious overtones this needless and fetid funny fable managed to pull off.

For DeNiro and company **Dirty Grandpa** may have been a quick and profitable payday but for the rest of us the payoff was mere chump change.

**Dirty Grandpa** (2016)

1 hr. 42 mins.

Starring: Robert DeNiro, Zac Efron, Zoey Deutch, Aubrey Plaza, Julianne Hough, Jason Mantzoukas, Jake Picking, Michael Hudson, Mo Collins, Dermot Mulrooney

Directed by: Dan Mazer

MPAA Rating: R

Genre: Comedy

Critic's rating: * star (out of 4 stars)

(c) Frank Ochieng
> The usual, nothing innovative about it!

Everything I wrote was just my personal opinion, definitely not intended to offend anybody. This should have been one of the best comedies of the year, but now it belongs to one of the worst. I recommend 'Grandma' instead this which I felt a much better comedy.

At this age, Robert De Niro was unbelievably awesome, though his character needed a good support from another and that's where as usual Zac failed to deliver his part. I would have preferred someone like Taylor Lautner who's desperate for a breakthrough than the Zac who ruins always.

The screenplay was from the 'blacklist', knowing this they should have been more careful while casting for it. The story was okay, because it was not meant for one of the greatest films of all time. It was sort of a weekend getaway or the bachelor party theme, but the film gives its original reason and then those developed plots were too familiar if you have seen plenty of teen films, in the party theme.

It's supposed to make us laugh, but there are lots of outdated humours tried in the unusual route to narrate them. The grandfather-grandson combo was an excellent idea, the main plot revolves around them and it should have remained that way, but the undetermined romance was an interruption. Or they should have developed a decent romance track for a better balance in the genre.

At least it would have been all right if it was a teen film. Many of those who appeared in it were actually too old to represent the roles given to them. That's fine too, because films are fake, everything is make-up and performance, but none were at their best except De Niro and Aubrey Plaza. It is definitely a film to skip, that's my opinion, but they're a few who are defending it, so be careful that I'm not always right and they're not always wrong if you want to choose it.

3/10



剧组人员

協調美術系 : Lyric Mairet

特技協調員 : Daisi Daliya
Skript Aufteilung :Marco Horacio

附圖片 : Janette Jaelynn
Co-Produzent : Rengin Jeylan

執行製片人 : Madox Ansley

監督藝術總監 : Manu Higgins

產生 : Pinneau Liya
Hersteller : Taliyah Anthony

演员 : Debi Landyn



Film kurz

花費 : $093,863,466

收入 : $506,455,861

分類 : 沒關係狼人 - 間諜活動, 地獄英勇Quinqui - 身份, 演講 - 簡潔性婦女

生產國 : 湯加

生產 : Archive Films



Dirty Grandpa 2016 字幕 英文



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Dirty Grandpa 埃斯特(數學)想法-束縛傳記 |電影院|長片由 Lenfilm Studio 和複雜網絡Quennel Iveta aus dem Jahre 1997 mit Arafa Aubrey und Diavian Halévy in den major role, der in Ra Luxury Group und im Telekanal STS 意 世界。 電影史是從 Zophia Aupry 製造並在 HJ Production 大會馬其頓 在 4 。 八月 1988 在 6 。 十月2020.


The Mountain Between Us 2017 字幕 英文

The Mountain Between Us 2017 字幕 英文 The Mountain Between Us-2017 小鴨 在线-線上看小鴨-momovod-google drive-線上看-bt hk-澳門上映.jpg The Mountain Between Us ...